![]() ![]() Amesh, naturally, takes Natsuki’s slight flakiness personally, interpreting her spending time alone in her room as avoiding him. Natsuki, on the other hand, gains some nice dimension from the specificity of her experience with depression and suicide. I’m glad Spence refuses to lie about who he is, but I struggle to engage when most of his scenes go through the typical motions. There’s nothing particularly novel about this angle, especially when the show so broadly lumps the stigma of Spence’s AIDS diagnosis with the general stigma of his sexuality. But Spence sticking up to his mom feels like the next obvious beat in this story. I find Mark’s uncomplicated generosity touching in all their scenes together, sure. This is the type of teen-drama storyline that will always reliably move me, but I’m not convinced the show has done the work to invest Spence and his experience with real complexity. Take Spence, who’s newly emboldened to confront his mom after learning Cheri is out to her parents. ![]() Even the personal stories themselves are a bit hit-or-miss, with some resonating more than others. Does anyone else feel a lack of urgency here? “Road to Nowhere” features some solid storytelling on a personal level, but it’s difficult to feel like any serious momentum is building, especially with so little follow-up on the cliffhanger about one patient going home. ![]()
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